Kimberly Hallows
Professor Hurtado
March 9, 2012
English 3133
The physical and psychological affect empire left on the flesh of women used for breeding in Toni Morrison’s Beloved
Examination of Toni Morrison’s Beloved
demonstrates how empire is written on the flesh of African American
women that are enslaved. The slave owners psychologically and
physically scar the African American women in this novel. The women’s
bodies are marked by over breeding, physical scars left when the women
are raped or resist rape, and the psychological scars caused by this
abuse. The empire written on these women’s bodies causes them to lose
their sense of self-worth and become numb to occurrences that many
people are emotionally disturbed by, such as the murder of a child.
Morrison provides examples of the use of African American women to breed throughout Beloved
and the impact it leaves on those women. Their owners see them as
“property that reproduced itself without cost” (269). Slave owners in
America force their female slaves to constantly reproduce so that they
will have more slaves to either use on their own land, sell to other
slave owners, or trade for merchandise. The author states “They have to have as many children as they can to please whoever owned them” (247). The African women in this novel have multiple children against their own will.
Baby Suggs is one example of an African American women used for breeding in Beloved.
She gives birth to eight children from different fathers and she is
only able to keep one of them (27-28). The rest of her children are
traded or sold. Her pregnancies are not voluntary and she does not
choose the fathers of these children. Her uterus, her vagina, her
ovaries and her breasts are not her own so she has no say in how they
are used. In the novel, Suggs describes the use of the slaves’ bodies,
claiming, “slave life had busted her legs, back, head, and eyes, hands,
kidneys, womb and tongue” (102). The mentioning of the womb is a
reference to the constant pregnancy these slaves endure in order to
make more children for their owners to keep, sell or trade as property.
The African women’s bodies were greatly affected by all of the stress
the numerous pregnancies placed upon them, some of which were the
result of rape.
Rape is another way that empire is printed on the flesh of African women in Beloved. Baby
Suggs, Sethe and Ella are each raped in this novel. Ella, a character
who helps Denver rescue Sethe from Beloved, gave birth to a child that
was half white because her slave owner raped her for his own
satisfaction, which resulted in a pregnancy: “She had delivered, but
would not nurse, a hairy white thing, fathered by “the lowest yet”
(305).
Sethe,
the novels’ protagonist, endures having her whole reproductive system
taken as property by Schoolteacher, her slave master. SchoolTeacher
thinks that Sethe was his property so he refers to her as the “breeding
one” and claims she has, “ten breeding years left” (176, 267). He
allows his sons to hold Sethe against her will, raping her and taking
the milk from her breast (18-20). When Sethe resists being raped, she
is whipped, which leaves the scar on her back that resembles a cherry
tree. This is a strong representation of empire on the flesh of a woman
in Beloved.
Sethe
had experienced something similar as a child. While her mother was in
the fields working, a woman named Nan had to nurse all of the children,
including the whites. Sethe was the last to nurse because she was black
so she “got what was left” (236). Nan’s body was violated, just as
Sethe’s eventually would be.
The
narrator describes when Ella was raped by her slave owner. She
described her slave master as “the lowest yet”. He and his sons rape
her for years (301). This slave owner encourages his sons to rape Ella
and she produces one of their children, yet she refuses to nurse the
child. Ella, like Baby Suggs and Sethe, did not have a choice when it
came to her body. Her body was not her own, it belonged to her slave
owner. These women are not seen as human beings. They are commodities
to the people that own them; therefore those people chose what their
bodies are used for.
This
treatment causes serious psychological scarring. Baby Suggs reaches a
point where she does not even try to connect with her newborn children
because she knows they are not hers to keep. Once they are born, they
are traded away or sold the way that cattle or pigs are, so she decides
it “wasn’t worth the trouble to try and learn new features you would
never see change into adulthood anyway. Seven times she had done that:
held a little foot; examined the fat fingertips with her own-fingers
she never saw become the male or female hands a mother would recognize
anywhere” (163). The children she gave birth to in the novel were not
hers. She did not get to keep and nurture her children as nature
intended. She sees them when they are born and then doesn’t see them
again. She never is able to find out where they end up or what becomes
of them. After a few children, I think she realizes the reality of not
owning her children and her mother instincts become numb.
Baby
Suggs compassion returns when she goes to 124. This place, “had been a
cheerful, buzzing house where Baby Suggs, holy, loved, cautioned, fed,
chastised and soothed” (102). She helps other
people to overcome their past lives as slaves but eventually her past
catches up with her. When Sethe comes to 124 and murders her baby to
keep her from the life of a slave, anguish returns to Baby Suggs and
the narrator states that she, “dismissed her great heart and lay in the
keeping-room bed,” until she dies (104). Beloved’s death reminds her of
the reality of what she has suffered through as a slave. This is the
marking of the empire, psychological ruin. She cannot, like many
African American slaves, escape these wounds.
Sethe
is so greatly affected by the treatment she receives that she murders
her own child in order to protect her from going through the same
torture that Sethe and so many other women had gone through. For Sethe
to think that dying is less painful than returning to the plantation
and living life with SchoolTeacher, the reader is made aware of how
terrible the treatment must have been. When Schoolteacher realizes
Sethe has gone crazy, he does not acknowledge that it is caused by his
treatment; however, it does keep him from taking her back to Sweet Home
because he believes she is too crazy to reproduce. The narrator states,
“now she’d gone wild” (176). It is as though she is an animal with a
disability that he doesn’t want multiplied on his plantation. He
permanently scars her.
The
treatment Ella received from “the lowest yet” keeps her from cringing
when hearing the story of Beloved, Sethe’s murdered child, returning to
124 and torturing Sethe. Ella is not stunned by the return of Sethe’s
murdered daughter to 124 because she has faced her own demons: “A
killing, a kidnap, a rape-whatever, she listened and nodded. Nothing
compared to “the lowest yet”” (301). This excerpt provides proof of the
atrocities Ella faced during the years she was a slave. Murder, kidnap
and rape will not cause a human to flinch after they have seen and
experienced these things and worse numerous times. Ella, like Sethe and
Baby Suggs, becomes psychologically numb to these horrors.
Analysis of Toni Morrison’s Beloved
indicates that women in slavery are used for sexual pleasure and
breeding until the psychological impact causes them to become immune to
events that are unbearable for others or until they just give up
completely. Baby Suggs learns not to love her children and later just
lays in bed until she dies. Sethe is able to murder her child to save
her from slavery and Ella is able to face that child’s ghost to rescue
Sethe. Neither Sethe nor Ella hesitate because they have already seen
so much during their enslaved years, that the markings of empire
altered their normal psychological functioning as human beings. The use
of their female parts against their will, are not the only things
altered by the treatment. Their minds are changed forever.
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